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Feature

Open Roads, Open Eyes

Over five decades of crisscrossing Texas, a photographer learns to slow down to really see

When I was younger and living in Amarillo, it always seemed important to get where I was going and back as soon as possible.

For a few years after a divorce, my two boys and their mom lived in San Marcos. And so a couple of times a month, I’d make that 500-plus mile drive as fast as I could.

When I abandoned the Panhandle and moved to Austin, my freelance photography business kicked into a higher gear. The jobs were in every direction, in and around my new city.

I never griped about the mileage, but as I matured, I did start listening to my eyes. I made it a rule that if I saw something that caught my attention at 70 mph and I couldn’t get it out of my mind after a couple miles, I’d go back to get a picture—or at least to visit and decide if what I saw was worth a return trip at a particular time of day.

The drives are much more mellow these days after 50 years as a professional photographer, and I navigate using a spiral-bound detail map of Texas counties. Driving seems to be the second-most important skill in my line of work.

Of course, skill No. 1 is making a good picture upon reaching my destination. Most often the job involves capturing a portrait of someone who has accomplished something a magazine editor thinks is worthy of a story. But sometimes it’s capturing the feel, the presence of a place.

I’m pretty sure I’ve driven a million miles in Texas, but now I do it a mile at a time. That’s how the pictures in these pages were made, driving slow(ish), with eyes wide open.

Early morning on the road between Earth and Dimmitt, in the Panhandle, familiar territory from my early years making a living shooting for seed and cattle operations. I hadn’t seen such a tall silage mound, and the man with his pitchfork caught my eye.

Wyatt McSpadden

A classic farmhouse, newly plowed field and epic sky near Granger, in Williamson County. Irresistible.

Wyatt McSpadden